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Independently appraised and certified artist original by Matsuda Appraisals, a professional appraisal and auction company.
This work is in excellent, like new, condition.
We will beat the lowest price of an identical print that you find from a qualifying competitor (i.e. not a third-party seller or peer-to-peer marketplace). Note the print must be in the same condition. Please email us at contact@hypemuseum.jp if you would like us to adjust the price of your print before you purchase it. Please read our Pricing Policy for more info.
• We offer free 5-7 day global shipping if your order is above $4,000. Otherwise, shipping costs $150 USD.
• We use FedEx / DHL / UPS’s Priority service
• We prepay all customs duties and taxes
• We will ship your order from wherever our works are being showcased in our partner galleries
We have a 7-day return policy, which means you have 7 days after receiving your item to request a return.
To be eligible for a return, your item must have been damaged, defective, or the wrong item upon receiving it. Due to fraud prevention purposes, we do not accept returns or exchanges for any other reason or after 7 days upon receiving your order. Before your order has shipped, however, you may cancel your order to receive a full refund.
To start a return, you can contact us at contact@hypemuseum.jp
The provocateur of the art world
Banksy, the foremost agent provocateur in the art world, sprang to fame as a street artist outside of his own Bristol. In the 1990s, Banksy gave up freehand painting in favor of the stencil because it was a quick and easy way to hide from the authorities and allowed him to swiftly establish himself as a key figure on the global street art scene.
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One of Banksy's most famous stencils is Rage, the Flower Thrower, or Love is in the Air. It depicts a masked Palestinian throwing a floral arrangement.
Rage, the Flower Thrower, made his debut in Jerusalem in 2005. The man in the painting is wearing a scarf, a baseball cap, and was shooting the flowers at someone in a rage on the side of a garage on the highway from Beit Sahour opposite Citroen/Peugeot auto dealership.
Black and white are used to create the man and the flower wrapper. Color is used for the blooms and the stem projecting from the wrapping. The photo is reminiscent of images from 1960s riots on the streets and on college campuses. The man's rage and aggravation can be felt in his posture as he attempts to bomb the restaurant with flowers, much like a molotov cocktail.
2018
Plastic sculpture in Polystone produced by Medicom Toy, Tokyo
Stamped on bottom of foot
Limited edition
40 x 40 x 8 cm (15.75 x 15.75 x 3.15 in)
Independently appraised and certified artist original by Matsuda Appraisals, a professional appraisal and auction company.
This work is in excellent, like new, condition.
We will beat the lowest price of an identical print that you find from a qualifying competitor (i.e. not a third-party seller or peer-to-peer marketplace). Note the print must be in the same condition. Please email us at contact@hypemuseum.jp if you would like us to adjust the price of your print before you purchase it. Please read our Pricing Policy for more info.
• We offer free 5-7 day global shipping if your order is above $4,000. Otherwise, shipping costs $150 USD.
• We use FedEx / DHL / UPS’s Priority service
• We prepay all customs duties and taxes
• We will ship your order from wherever our works are being showcased in our partner galleries
We have a 7-day return policy, which means you have 7 days after receiving your item to request a return.
To be eligible for a return, your item must have been damaged, defective, or the wrong item upon receiving it. Due to fraud prevention purposes, we do not accept returns or exchanges for any other reason or after 7 days upon receiving your order. Before your order has shipped, however, you may cancel your order to receive a full refund.
To start a return, you can contact us at contact@hypemuseum.jp
The provocateur of the art world
Banksy, the foremost agent provocateur in the art world, sprang to fame as a street artist outside of his own Bristol. In the 1990s, Banksy gave up freehand painting in favor of the stencil because it was a quick and easy way to hide from the authorities and allowed him to swiftly establish himself as a key figure on the global street art scene.
Data gathered from public auction results (e.g Sothebys, Christies, etc.)
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