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  • Professionally appraised and certified artist original.

  • This work is in excellent, like new, condition.

  • HYPE Museum offers free global express shipping.

    We use FedEx / DHL / UPS’s Priority service.

    We prepay all customs duties and taxes.

    We will ship your order from wherever our works are being showcased in our partner galleries (see our Partner Galleries page for more information).

  • We have a 7-day return policy, which means you have 7 days after receiving your item to request a return.

    To be eligible for a return, your item must have been damaged, defective, or the wrong item upon receiving it. Due to fraud prevention purposes, we do not accept returns or exchanges for any other reason or after 7 days upon receiving your order. Before your order has shipped, however, you may cancel your order to receive a full refund.

    To start a return, you can contact us at contact@hypemuseum.jp


Harland Miller

British satirical writer and painter

Harland Miller is a writer and painter most known for his reproductions of Penguin book jackets and his sly, frequently sinister sense of humor. Miller's works frequently contain undercurrents of sarcasm and self-deprecation, and examine the connection between word and picture in order to comment on the common discrepancy between representation and reality.

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On Me Not In Me

White Frame Included

On Me Not In Me is a unique limited edition screen print by Harland Miller, hand-finished with gold leaf and inspired by his ongoing series of appropriating cover designs of second-hand books. The inspiration originates in his iconic Penguin series (2001-), which are based on dust jackets of popular Penguin classics books. Miller subverts the nostalgia and familiarity associated with the universally recognisable cover, as well as the classic literary motifs and sentiments found in titles through “hijacking” the format with his fictitious ones, often provocative and satirical. On Me Not In Me, albeit not one of the Penguin prints is clearly driven by a similar exploration of the relationship between text and image, and Miller’s clever manipulation of the background colours to his words, hereby influencing their meaning and way they will be perceived by the viewer. This way of colour-coding, also inherent to the Penguin Books themselves that are coloured based on genre, is drawing heavily on Mark Rothko and his emblematic Colour Field paintings. Rothko is one of Miller’s main artistic influences, along with Abstract Expressionists such as Robert Rauschenberg and Pop Artist like Ed Ruscha. This screen print’s rich black background decorated with gold-leaf is one of the more sophisticated examples of Miller’s famous book cover pieces, with a punchy juxtaposition of the elegance of the background to the humorous vagueness of the title.

Screenprint, 2015

Signed Print Edition of 50

H 80cm x W 65cm
H 31.5in x W 25.6in

  • Professionally appraised and certified artist original.

  • This work is in excellent, like new, condition.

  • HYPE Museum offers free global express shipping.

    We use FedEx / DHL / UPS’s Priority service.

    We prepay all customs duties and taxes.

    We will ship your order from wherever our works are being showcased in our partner galleries (see our Partner Galleries page for more information).

  • We have a 7-day return policy, which means you have 7 days after receiving your item to request a return.

    To be eligible for a return, your item must have been damaged, defective, or the wrong item upon receiving it. Due to fraud prevention purposes, we do not accept returns or exchanges for any other reason or after 7 days upon receiving your order. Before your order has shipped, however, you may cancel your order to receive a full refund.

    To start a return, you can contact us at contact@hypemuseum.jp


Harland Miller

British satirical writer and painter

Harland Miller is a writer and painter most known for his reproductions of Penguin book jackets and his sly, frequently sinister sense of humor. Miller's works frequently contain undercurrents of sarcasm and self-deprecation, and examine the connection between word and picture in order to comment on the common discrepancy between representation and reality.